Stay Know with Free Update
Just sign up with Media MyFted Digest – provided directly to your inbox.
The Boss of the British Film Studio title warns that the UK government plans to weaken the copyright laws into a “existing threat” of country creation industries.
“We made films there for 40 years (and) lost from a cottage industry in a severe GDP contribution,” Eric Sednge in the Bridget Jones Jones Franchise.
“Creation industries today are one of the most important parts of the UK economy,” he told the financial period. “If they give IP to tech companies, make a big tooth in our future ability to operate and our future ability to make income here in the UK.”
Ministers consult plans that require artists, authors and companies “choose” to allow their work to be used in AI programs. The suggestions were criticized by thousands of British musicians and artists, including Kate Bush, Damon Albarn, Clasher and Hans Zimmer.
Making film has become a primary source of economic development for the UK, with a system of generous tax credits that attract their blockbuster studios on leaf sites, pinewood.
Movie spending and high-end television spending is £ 5.6bn in 2024, according to BFI, an increase in the first 2023 and ahead of a third of pre-co-covid spending.
The work title is best known for some ROMCOM with Richard Curtis like Noticed the Hill,, Four married and funeraland Love indeedBut there is a lot of portfolio that are worse dramas such as Senana,, Tinker Tailor Soldier Spyand most recent identity.
The fourth movie of Bridget Jones, opened this month, the largest in the company’s history, Fellner said it would surpass the last record for the £ 48mm.
“Every single territory opens more than any other three bridget films,” he added. Bridget Jones: Crazy to Child Achieved the highest opening for a romantic comedy in the UK, as well as the highest opening for a job title film.
Fans have flocated warmth and comfort at a time when news always shines, while critics say that the film is for the reliability of young generations. He added: “How a teenager enjoys a story about the people of their 50s struggling with sadness and trying to date?”
Meanwhile, older generations remember the first movie – and the popularity of the original, taboo-busting book – means a nostalgic evening to an old friend.
Fellner says the audience “gladly surprised by the fact that the script is very good… The story is a more meaningful and emotional than I thought something was expected”.
The franchise of seeing the actress is playing in the age of the age of the films, he said.
“Most people are most likely to change,” he added, but “we love the character and rare that a character speaks over 20 years, and the actress has an age”.
He is always always with sequences that “the creativity is tired. It is very difficult, it’s very hard to keep the original in a world where you already told three stories”.