Julia Stiles revealed that he felt “thin” by a memorable scene to her and Freddie Prinze JrThe romantic comedy Down to you.
)Harvey Weinstein He had his hands (the film) and decided to take advantage of the trend (a) and only bead, “said Stiles, 43, during the episode on Tuesday, March 11 “Films to be buried” Podcast.
Stiles and Prinze, 49, staged Blockbuster in 2000 when a young couple fell in love while attending the University of New York City. Down to youProduction was notoriously controversial as now the decreased producer Weinstein took control of the writer-director Kris isacson During the post -production.
Weinstein allegedly ordered that important answers occur Down to you More like the success of the 1999 Prinze Comedy She is all thiseven inserting a scene Where the character of stiles, imogen, dances on the billiard table in To the green“Standem Together” for Woo Prinze’s Upigh Wallflower, al.
Julia Stiles sings the praise of her 10 things I hate about you Heath Ledger costing years after her premature death. “It was incredible,” said Stiles, 43, said exclusively to e! News in an interview published on Tuesday, January 14th. “It was such a bright light.” While Stiles became clear that she and all her cost (…)
In his podcast interview, Stiles told the host Brett Goldstein that Weinstein began to “pour money” into post -production of Down to you in “stupid ways.”
“We went to solve and told me that he decided this because of … the success of 10 things I hate about you With me dancing on the table of the billiarDown to you), “He recalled. “I would make an entire movie dancing. I love to dance, but it was foolish. It was like: “OK, let’s leave it -at a billiard table” … I was not even imaginative and I felt so thin for all the time. “”
Julia Stiles in “Down to You”
Miramax Films/YouTubeStiles considered that the free dance sequence was “so cheap”, especially because it was not “adding the story” in any significant way.
“It’s not a creation (decision), it’s not a creative reason. There is no creativity behind it,” he complained.
Weinstein’s Meddling did not end up helping Down to you Because the film was widely attractive to critics and occurred at the box office at a time when Stiles and Prinze were reliable money makers for Hollywood.
Podcaster Chris o’faltin whom he worked Down to youwrote in 2017 Indearest Characteristic that the original script of the film was an “unpleasant and unorthodox look at a group of friends fighting post-university life”, before Weinstein put themselves in the plot.
“(There were) a series of projections of last -minute expensive tests, reissues and solutions, not to say anything of (Weinstein’s) degrading verbal aggression to a young promising filmmaker,” said O’Balt. “Heaven and earth moved, and souls were crushed, because Weinstein knew how Down to you How he saw in shape. However, the result was a slightly schizophrenic and over-superstate movie. “”
Julia Stiles attends SNL50
Is pictures of Dipasupil/GettyDown to you provided an early platform for several young stars, including Selma Blair Playing a university porn-amateur star, Ashton Kutcher As a psychedelic rocker of Wannabe and Rosario Dawson as the best friend of the Stiles screen.
Stiles has often talked about the dangers of gaining fame at such a young age. In December 2024, the Save the Last Dance The actress said exclusively Use weekly About how to navigate these days its celebrity state.
Julia Stiles is known as an old teen film queen, and perhaps her most famous character is Kat Stratford of ten things I hate about you. The smart high school feminist and with a will will always talk about her mind and tried to avoid what others thought about her in the process. Stiles, 43, thinks it would still be (…)
“(Fame) can be a little scared, I do not mistake, but I try to focus on the positive aspects,” he acknowledged.
Stiles debuted in the direction early in the year Hopefully you were herethat was adapted from the author Rennene CarlinoThe best -selling novel of the same name in 2017. The romantic drama is a love story between a man with terminal diseases (Massoud Mena) and a young woman (Isabelle Fuhrman) It encounters a whim.
