Critic Perrine Kuinnesson leads us through the latest editions in the world of French cinema, with two family stories that transport us in convincing versions of the French in the 1960s and 1990s. “My mother, God and Silvie Vartan” speaks of a dedicated mother played by Leila Bekhti, who is ready to move mountains for his son. Meanwhile, “Queen Mom” grabbed the experience of the immigrant family family while appearing against the stereotypes of northern Africans and try to overcome obstacles planted on their way; The film also offers comically and fantastically takes one of the rich French history classes. The volcano at the edge of the eruptions in Guadalupi distilles social and political tensions in “Magma” and discussing the love letter Thierry Fremauk in the Lumiere Brothers, as he documents the birth of the cinema and his modern convention.
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